Saturday, November 5, 2011

The Haunting of Hill House (Penguin Classics)

  • ISBN13: 9780143039983
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Pragmatic Charlie Ravynne never imagined she would find herself falling in love with a house of all things, let alone the deserted, dilapidated Victorian mansion she found on the Internet. Her sister, Meg, on the other hand, was not nearly as enamored. In fact, she seriously doubted her sister's sanity, when she suggested they enter the contest that offered Hensley Hall as the prize.
But Meg's curiosity was piqued when she learned the previous owners had died in the old mansion. As a self- styled "ghost magnet" whose interest in the paranormal dated back to her childhood, she became more and more intrigued with the notion that HensleyHall was haunted. If they won the contest, she could have her ! very own ghosts! Though, admittedly, she wasn't all that sure what she'd do with them!
Soon the contest had hooked them both, though neither really believed they had any chance of winning. They had never won anything in their entire lives (except in grade school when they'd won first prize for the most unusual Halloween costume due to a freak accident neither ever wanted to mention again!)and so, they were both amazed when a registered letter brought the good news. They were now the new owners of Hensley Hall and its occupants.
Arriving at their new home, they were horrified by the monstrous mansion that seemed to be waiting for them with malevolent intent. Imprinted by old tragedies…hates…forbidden loves, and a bloated evil that fed on fear, the derelict mansion they had hoped would be their dream house some day, quickly, turned into their worst nightmare as, bit by bit, they uncovered the dark history surrounding its past.
Almost forty years ago, thr! ee schoolgirls had been brutally raped then murdered by the St! oneman, whose signature was a black river rock sealed in the mouth of each victim. Then seventeen year old, Breanna Hensley, vanished and was never seen again, except when night falls and her restless spirit roamed the halls searching for? Is it Devon, her twin brother, and the 'person of interest' the police were about to arrest when he fled the scene and died in a train wreck?
As Meg and Charlie Ravynne struggle to solve the mystery surrounding Breanna's disappearance and find peace for her restless spirit, they begin to believe that Devon is not the one buried in the family mausoleum…that the murderer and rapist the police were looking for is very much alive and somewhere close. Perhaps way too close!
Could he be the darkly, beguiling, Zack Mallory, the mysterious boarder who rents the tower room? Or is he, Adrian Adams, their youngest sister, Rayne's, new love interest? There are more than skeletons rattling around in the cupboards at Hensley Hall…far more…in t! his paranormal thriller laced with romance.
Pragmatic Charlie Ravynne never imagined she would find herself falling in love with a house of all things, let alone the deserted, dilapidated Victorian mansion she found on the Internet. Her sister, Meg, on the other hand, was not nearly as enamored. In fact, she seriously doubted her sister's sanity, when she suggested they enter the contest that offered Hensley Hall as the prize.
But Meg's curiosity was piqued when she learned the previous owners had died in the old mansion. As a self- styled "ghost magnet" whose interest in the paranormal dated back to her childhood, she became more and more intrigued with the notion that HensleyHall was haunted. If they won the contest, she could have her very own ghosts! Though, admittedly, she wasn't all that sure what she'd do with them!
Soon the contest had hooked them both, though neither really believed they had any chance of winning. They had never won anything in their ! entire lives (except in grade school when they'd won first pri! ze for t he most unusual Halloween costume due to a freak accident neither ever wanted to mention again!)and so, they were both amazed when a registered letter brought the good news. They were now the new owners of Hensley Hall and its occupants.
Arriving at their new home, they were horrified by the monstrous mansion that seemed to be waiting for them with malevolent intent. Imprinted by old tragedies…hates…forbidden loves, and a bloated evil that fed on fear, the derelict mansion they had hoped would be their dream house some day, quickly, turned into their worst nightmare as, bit by bit, they uncovered the dark history surrounding its past.
Almost forty years ago, three schoolgirls had been brutally raped then murdered by the Stoneman, whose signature was a black river rock sealed in the mouth of each victim. Then seventeen year old, Breanna Hensley, vanished and was never seen again, except when night falls and her restless spirit roamed the halls searching for? Is it! Devon, her twin brother, and the 'person of interest' the police were about to arrest when he fled the scene and died in a train wreck?
As Meg and Charlie Ravynne struggle to solve the mystery surrounding Breanna's disappearance and find peace for her restless spirit, they begin to believe that Devon is not the one buried in the family mausoleum…that the murderer and rapist the police were looking for is very much alive and somewhere close. Perhaps way too close!
Could he be the darkly, beguiling, Zack Mallory, the mysterious boarder who rents the tower room? Or is he, Adrian Adams, their youngest sister, Rayne's, new love interest? There are more than skeletons rattling around in the cupboards at Hensley Hall…far more…in this paranormal thriller laced with romance.
There is nothing more frightening in the world of horror, than a story that is actually true. When Peter takes his new wife Stacy, up to the mountains for a weekend of fishing, hiking and hopef! ully some intense cuddling, their day starts off great, when t! hey thin k they find the perfect spot. The seclusion of the little lake seems at first to be a plus, but they soon realize, that there is a reason the area around the black waters and the looming hills is empty. "Don't let the night catch me here!" These are the words that run through their minds as the day folds in on itself with terrifying speed, releasing something blacker than the night.
This book contains three stories, all of which are paranormal in nature. The first two are works of non-fiction, true to life ghost stories, if you can believe it, but the third is completely fictional.
There is nothing more frightening in the world of horror, than a story that is actually true. When Peter takes his new wife Stacy, up to the mountains for a weekend of fishing, hiking and hopefully some intense cuddling, their day starts off great, when they think they find the perfect spot. The seclusion of the little lake seems at first to be a plus, but they soon realize, that there i! s a reason the area around the black waters and the looming hills is empty. "Don't let the night catch me here!" These are the words that run through their minds as the day folds in on itself with terrifying speed, releasing something blacker than the night.
This book contains three stories, all of which are paranormal in nature. The first two are works of non-fiction, true to life ghost stories, if you can believe it, but the third is completely fictional.
New York Times and USA Today bestselling author P. J. Alderman weaves present-day supernatural sleuthery with nineteenth-century intrigue in the first book of an enchanting new mystery series set in picturesque Port Chatham, Washington.

Jordan Marsh left L.A. for the quaint Pacific Northwest town of Port Chatham in pursuit of some much-needed R & R. As the prime suspect in her cheating husband's murder, she had been hoping to immerse herself in the restoration of! the charming Victorian she'd just bought--and put all talk of! homicid e investigations behind her. But as she soon discovers, the coldest of cases cry out to be solved, too.

For this old house comes fully furnished--with two garrulous ghosts who have a century-old murder of their own they'd like her to look into. Now, if Jordan can keep the L.A. police at bay, and sort through a suspect list of shady characters circa 1890, she might just clear a wrongly accused man's name--and her own.The classic supernatural thriller by an author who helped define the genre

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, ! their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own.Shirley Jackson's The Haunting of Hill House has unnerved readers since its original publication in 1959. A tale of subtle, psychological terror, it has earned its place as one of the significant haunted house stories of the ages.

Eleanor Vance has always been a loner--shy, vulnerable, and bitterly resentful of the 11 years she lost while nursing her dying mother. "She had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words." Eleanor has always sensed that one day something big would happen, and one day it does. She receives an unusual invitation from Dr. John Montague, a man fascinated by "supernatural manifestations." He organizes a ghost wat! ch, inviting people who have been touched by otherworldly even! ts. A p aranormal incident from Eleanor's childhood qualifies her to be a part of Montague's bizarre study--along with headstrong Theodora, his assistant, and Luke, a well-to-do aristocrat. They meet at Hill House--a notorious estate in New England.

Hill House is a foreboding structure of towers, buttresses, Gothic spires, gargoyles, strange angles, and rooms within rooms--a place "without kindness, never meant to be lived in...."

Although Eleanor's initial reaction is to flee, the house has a mesmerizing effect, and she begins to feel a strange kind of bliss that entices her to stay. Eleanor is a magnet for the supernatural--she hears deathly wails, feels terrible chills, and sees ghostly apparitions. Once again she feels isolated and alone--neither Theo nor Luke attract so much eerie company. But the physical horror of Hill House is always subtle; more disturbing is the emotional torment Eleanor endures. Intense, literary, and harrowing, The Haunting of Hi! ll House belongs in the same dark league as Henry James's classic ghost story, The Turn of the Screw. --Naomi Gesinger

Cocaine Cowboys

  • The cocaine trade of the 70s and 80s had an indelible impact on contemporary Miami. Smugglers and distributors forever changed a once sleepy retirement community into one of the world s most glamorous hot spots, the epicenter of a $20 billion annual business fed by Colombia s Medellin cartel. By the early 80s, Miami s tripled homicide rate had made it the murder capital of the country, for which a
COCAINE COWBOYS - DVD MovieMore of a real-life exploitation film than a bonafide documentary, Cocaine Cowboys is tailor-made for anyone who worships Brian De Palma's Scarface. It's no surprise that this slick, energetic film found a niche audience among crime-obsessed hip-hoppers; from a journalistic perspective it's an irresponsible mess, but director Billy Corben is obviously more interested in capturing the thrills and danger of the drug trade that transformed Miami, Florida during ! the Miami Vice era of the late 1970s and '80s. Corben has no particular interest in seriously examining the sociopolitical implications of Miami's drug-fueled rise and fall, so Cocaine Cowboys lives up to its title by focusing on some of the most colorful, daring, and outrageously successful survivors of that era, when tons of cocaine were distributed through Miami by the kingpins of Colombia's notorious Medellin cartel. Chief among the many interviewees are Jon Roberts and Mickey Munday (who personally transported over $2 billion worth of cocaine into Miami) and Jorge "Rivi" Ayala, a convicted drug-trade assassin now serving consecutive life terms in prison. They're lively storytellers who are egotistically eager to share their coke-tales, and Corben's only too happy to capture their exploits on film, up to and including the dubious use of violent reenactments that could easily serve as a recruitment film for Tony Montana wannabes.

It's simultaneously dis! gusting and compelling, especially since Corben has a knack fo! r matchi ng swift editing to the pulsing score by TV's original Miami Vice composer Jan Hammer. In the final analysis, it must be said that Cocaine Cowboys succeeds as a brash and breathtaking record of a bygone era, when murder rates were at an all-time high, coke was everywhere, and Miami was financially transformed into a nightlife mecca where criminals were kings. Or queens, as in the case of Griselda Blanco, the ruthless and self-appointed "Godmother" of the cocaine trade, who was responsible for countless murders and as of 2007 remained at large, her whereabouts unknown. All of this deadly life in the fast lane makes for a fascinating movie, but Corben and coproducer David Cypkin's breathless commentary makes it clear that they're young, immature thrill-seekers, and their film makes no apologies for glorifying the drug trade while exploring its bloody and frequently fatal consequences. Their commentary also accompanies an abundance of deleted scenes, and there's a! lso a bonus featurette, "Hustlin' with the Godmother," in which Griselda Blanco's former lover and big-time coke dealer Charles Cosby tells his story, which clearly has all the makings of a Hollywood movie along the lines of Blow. You can bet that film will eventually be made, and don't be surprised if it's Corben who makes it. --Jeff Shannon

Brothers of the Head

Hannah Montana: The Movie

  • Get ready to be dazzled by Disney's big-screen smash hit -- HANNAH MONTANA THE MOVIE -- filled with laughs, adventure, family fun and fabulous music! Come along for the ride and see Hannah like never before as she returns to her roots and faces the most important decision of her life! When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad
Get ready to be dazzled by Disney's big-screen smash hit Hannah Montana the Movie, filled with laughs, adventure, family fun and fabulous music! Come along for the ride and see Hannah like never before as she returns to her roots and faces the most important decision of her life! When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glam! our of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana. With a little help from her friends and awesome guest stars Taylor Swift, Rascal Flatts and Vanessa Williams, will she figure out whether to choose Hannah or Miley? Hannah Montana the Movie is a heartfelt major motion picture perfect for the entire family.It's easy to forget that superstars are real people, but when Hannah Montana (Miley Cyrus) shows signs of forgetting her roots as Miley Stewart, her father Robbie Ray (Billy Ray Cyrus) puts his foot down. Miley has always strived to live a relatively normal teenage life, but when late stage entrances, exclusive shopping trips that end in brawling catfights, and ditching friends and family in favor of Hannah appearances become commonplace, Robbie Ray whisks her away from a date at the New York Music Awards for a dose of hometown reality at her grandma's in Crowley Corners, Tenn. Unfortu! nately, she's followed by Oswald (Peter Gunn), a relentless re! porter f rom Britain's Bon Chic Magazine. Miley's initial fury at being tricked into staying at Grandma's spurs her to commence operation Save Hannah Montana, but her bad attitude eventually gives way to resignation and then the beginnings of reconnection between Miley and her family. As the days progress, Miley glimpses her growing self-absorption, finds she's attracted to old elementary friend Travis (Lucas Till), realizes that her selfishness has negatively affected her dad's personal relationships, and is drawn into her grandma's fight against the commercialization of Crowley Corners. A boastful impulse leads to Miley being charged with bringing Hannah Montana to Crowley Corners for a benefit concert; when Miley's worlds collide onstage, she reveals her true identity and declares that Hannah Montana is no more. Can Miley's hometown possibly keep Miley's secret, silence the reporter, and convince Miley that she can have the best of both worlds, or is this the end! of Hannah Montana? Well-known Hannah Montana songs, including "Best of Both Worlds" and "Let's Get Crazy" are featured in the film as well as the fun new song "Hoedown Throwdown" (complete with line dance instruction), the heartfelt "Butterfly Fly Away," and the inspirational "The Climb." More important than the great music is the film's wholesome message about staying true to oneself and one's family and friends. (Ages 7 and older) --Tami Horiuchi


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