Burger King Kids Meal Hoodwinked Too! Hood Vs. Evil Cartwheelin' Woodsman Toy 2010

• Action figure from the movie

The good... the bad... the Twitchy. The sequel finds our heroine, Red (Hayden Panettiere), training with a mysterious covert group called the Sisters of the Hood. But Red is forced to cut her training short when she gets an urgent call from Nicky Flippers (David Ogden Stiers), the head of the super secret Happily Ever After Agency, aka the HEA. A wicked witch (Joan Cusack) has abducted two innocent children, Hansel (Bill Hader) and Gretel (Amy Poehler), and Nicky needs the whole Hoodwinked gang -- Red, Granny (Glenn Close), the ever-clueless Wolf (Patrick Warburton) and his over-caffeinated little partner, Twitchy (Cory Edwards) -- for the search and rescue mission.Finding one's true path is a difficult process, and Red Riding Hood is finding it doubly complicated since she's desperate to live up to her grandmother's reputation as a legendary Sister of the Hood. W! hile Red Riding Hood is sequestered for some very special secret training, the Big Bad Wolf, Granny, Twitchy, and the rest of the Happily Ever After Agency (HEA) are feeling the absence of one of their key agents. When Hansel and Gretel are kidnapped by the Wicked Witch, Wolf and Twitchy's plan to rescue the kids goes awry and Granny is captured. The HEA calls Red back into action and the race is on to save the children, Granny, and the Sisters of the Hood's secret recipe for the all-powerful Black Forest Cake Batter Truffles. The obstacles, twists, turns, and unexpected villains are many and Red and each member of her team find themselves severely tested. In the end, teamwork and forgiveness provide the only glimmers of hope for defeating the enemy and ensuring a "Happily Ever After" for the world. Like Hoodwinked, Hoodwinked Too! offers up classic fairy tales with some serious twists, a healthy dose of humor, and satirical references to classic films that in! clude everything from Silence of the Lambs to Star W! ars. The pacing lags a bit in places and sometimes the goofball comedy is a bit over the top, but the film is both clever and entertaining, and the comedic talents of Patrick Warburton, Glenn Close, Joan Cusack, Hayden Panettiere, David Ogden Stiers, Cory Edwards, Bill Hader, and Amy Poehler don't go unappreciated. (Ages 7 and older) --Tami HoriuchiThe good... the bad... the Twitchy. The sequel finds our heroine, Red (Hayden Panettiere), training with a mysterious covert group called the Sisters of the Hood. But Red is forced to cut her training short when she gets an urgent call from Nicky Flippers (David Ogden Stiers), the head of the super secret Happily Ever After Agency, aka the HEA. A wicked witch (Joan Cusack) has abducted two innocent children, Hansel (Bill Hader) and Gretel (Amy Poehler), and Nicky needs the whole Hoodwinked gang -- Red, Granny (Glenn Close), the ever-clueless Wolf (Patrick Warburton) and his over-caffeinated little partner, Twitchy (Cory Edwards! ) -- for the search and rescue mission.Finding one's true path is a difficult process, and Red Riding Hood is finding it doubly complicated since she's desperate to live up to her grandmother's reputation as a legendary Sister of the Hood. While Red Riding Hood is sequestered for some very special secret training, the Big Bad Wolf, Granny, Twitchy, and the rest of the Happily Ever After Agency (HEA) are feeling the absence of one of their key agents. When Hansel and Gretel are kidnapped by the Wicked Witch, Wolf and Twitchy's plan to rescue the kids goes awry and Granny is captured. The HEA calls Red back into action and the race is on to save the children, Granny, and the Sisters of the Hood's secret recipe for the all-powerful Black Forest Cake Batter Truffles. The obstacles, twists, turns, and unexpected villains are many and Red and each member of her team find themselves severely tested. In the end, teamwork and forgiveness provide the only glimmers of hope for defeati! ng the enemy and ensuring a "Happily Ever After" for the world! . Like < i>Hoodwinked, Hoodwinked Too! offers up classic fairy tales with some serious twists, a healthy dose of humor, and satirical references to classic films that include everything from Silence of the Lambs to Star Wars. The pacing lags a bit in places and sometimes the goofball comedy is a bit over the top, but the film is both clever and entertaining, and the comedic talents of Patrick Warburton, Glenn Close, Joan Cusack, Hayden Panettiere, David Ogden Stiers, Cory Edwards, Bill Hader, and Amy Poehler don't go unappreciated. (Ages 7 and older) --Tami HoriuchiThe good... the bad... the Twitchy. The sequel finds our heroine, Red (Hayden Panettiere), training with a mysterious covert group called the Sisters of the Hood. But Red is forced to cut her training short when she gets an urgent call from Nicky Flippers (David Ogden Stiers), the head of the super secret Happily Ever After Agency, aka the HEA. A wicked witch (Joan Cusack) has abducted two i! nnocent children, Hansel (Bill Hader) and Gretel (Amy Poehler), and Nicky needs the whole Hoodwinked gang -- Red, Granny (Glenn Close), the ever-clueless Wolf (Patrick Warburton) and his over-caffeinated little partner, Twitchy (Cory Edwards) -- for the search and rescue mission.Finding one's true path is a difficult process, and Red Riding Hood is finding it doubly complicated since she's desperate to live up to her grandmother's reputation as a legendary Sister of the Hood. While Red Riding Hood is sequestered for some very special secret training, the Big Bad Wolf, Granny, Twitchy, and the rest of the Happily Ever After Agency (HEA) are feeling the absence of one of their key agents. When Hansel and Gretel are kidnapped by the Wicked Witch, Wolf and Twitchy's plan to rescue the kids goes awry and Granny is captured. The HEA calls Red back into action and the race is on to save the children, Granny, and the Sisters of the Hood's secret recipe for the all-powerful Black Fo! rest Cake Batter Truffles. The obstacles, twists, turns, and u! nexpecte d villains are many and Red and each member of her team find themselves severely tested. In the end, teamwork and forgiveness provide the only glimmers of hope for defeating the enemy and ensuring a "Happily Ever After" for the world. Like Hoodwinked, Hoodwinked Too! offers up classic fairy tales with some serious twists, a healthy dose of humor, and satirical references to classic films that include everything from Silence of the Lambs to Star Wars. The pacing lags a bit in places and sometimes the goofball comedy is a bit over the top, but the film is both clever and entertaining, and the comedic talents of Patrick Warburton, Glenn Close, Joan Cusack, Hayden Panettiere, David Ogden Stiers, Cory Edwards, Bill Hader, and Amy Poehler don't go unappreciated. (Ages 7 and older) --Tami HoriuchiCombo pack includes Blu-ray 3D, standard Blu-ray, DVD and Digital Copy versions of the film, plus a bonus soundtrack CD!

The good... the bad... the Twitchy. The sequel finds our heroine, Red (Hayden Panettiere), training with a mysterious covert group called the Sisters of the Hood. But Red is forced to cut her training short when she gets an urgent call from Nicky Flippers (David Ogden Stiers), the head of the super secret Happily Ever After Agency, aka the HEA. A wicked witch (Joan Cusack) has abducted two innocent children, Hansel (Bill Hader) and Gretel (Amy Poehler), and Nicky needs the whole "Hoodwinked" gang - Red, Granny (Glenn Close), the ever-clueless Wolf (Patrick Warburton) and his over-caffeinated little partner, Twitchy (Cory Edwards) - for the search and rescue mission.

Star Wars: Episode V - The Empire Strikes Back - Movie Poster: Special Edition (Size: 27'' x 40'')

• Poster
• Size: 27" x 40"
• Ships in sturdy cardboard tube

Star Wars: The Original Trilogy on Blu-ray will feature Star Wars Episodes IV-VI utilizing the highest possible picture and audio presentation.

Star Wars Episode IV: A New Hope
Nineteen years after the formation of the Empire, Luke Skywalker is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet of Tatooine. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of the evil Empire.

Star Wars Episode V: The Empire Strikes Back
In this installment, Luke Skywalker and his friends have set up a new base on the ice planet of Hoth, but it is not long before their secret location is discovere! d by the evil Empire. After narrowly escaping, Luke splits off from his friends to seek out a Jedi Master called Yoda. Meanwhile, Han Solo, Chewbacca, Princess Leia, and C-3PO seek sanctuary at a city in the Clouds run by Lando Calrissian, an old friend of Han’s. But little do they realize that Darth Vader already awaits them.

Star Wars Episode VI: Return of the Jedi
(4 years after Episode IV) In the epic conclusion of the saga, the Empire prepares to crush the Rebellion with a more powerful Death Star while the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts Darth Vader in a final climactic duel before the evil Emperor. The Star Wars trilogy had the rare distinction of becoming more than just a series of movies, but a cultural phenomenon, a life-defining event for its generation. On its surface, George Lucas's original 1977 film is a rollicking and humorous space fantasy that owes debts to more influenc! es than one can count on two hands, but filmgoers became entra! nced by its basic struggle of good vs. evil "a long time ago, in a galaxy far, far away," its dazzling special effects, and a mythology of Jedi Knights, the Force, and droids.

In the first film, Luke Skywalker (Mark Hamill) gets to live out every boy's dream: ditch the farm and rescue a princess (Carrie Fisher). Accompanied by the roguish Han Solo (Harrison Ford, the only principal who was able to cross over into stardom) and trained by Jedi master Obi-Wan Kenobi (Alec Guinness), Luke finds himself involved in a galactic war against the Empire and the menacing Darth Vader (David Prowse, voiced by James Earl Jones). The following film, The Empire Strikes Back (1980), takes a darker turn as the tiny rebellion faces an overwhelming onslaught. Directed by Irvin Kershner instead of Lucas, Empire is on the short list of Best Sequels Ever, marked by fantastic settings (the ice planet, the cloud city), the teachings of Yoda, a dash of grown-up romance, and a now-classic "r! evelation" ending. The final film of the trilogy, Return of the Jedi (1983, directed by Richard Marquand), is the most uneven. While the visual effects had taken quantum leaps over the years, resulting in thrilling speeder chases and space dogfights, the story is an uneasy mix of serious themes (Luke's maturation as a Jedi, the end of the Empire-rebellion showdown) and the cuddly teddy bears known as the Ewoks.

Years later, George Lucas transformed his films into "special editions" by adding new scenes and special effects, which were greeted mostly by shrugs from fans. They were perfectly happy with the films they had grown up with (who cares if Greedo shot first?), and thus disappointed by Lucas's decision to make the special editions the only versions available. --David HoriuchiDark Horse Comics is proud to present, in an all-new package, the comicsFor the first time ever and for a limited time only, the enhanced versions of the Star Wars: Episode IV A N! ew Hope, Star Wars: Episode V The Empire Strikes Back and Star! Wars: E pisode VI Return of the Jedi will be available individually on DVD. Plus, these 2-Disc DVD's will feature a bonus disc that includes, for the first time ever on DVD, the original films as seen in theaters in 1977, 1980 and 1983.The 2006 limited-edition two-disc release of The Empire Strikes Back is not only the first time the movie has been officially available by itself on DVD. It marks the first-ever DVD release of Empire as it originally played in theaters in 1980. What does that mean exactly? The film is without the various "improvements" and enhancements George Lucas added for the theatrical rerelease in 1997 as well as the DVD premiere in 2004. So no more of Ian McDiarmid (the Emperor) replacing Clive Revill with slightly revised lines, or Temuera Morrison rerecording of Boba Fett's minimal dialogue.

What do you lose by watching the 1980 version? Dolby Digital 5.1 EX sound, for one thing (only 2.0 Surround here), and digital cleanup. But fo! r home-theater owners, the biggest frustration will be from the non-anamorphic picture. On a widescreen TV, an anamorphically enhanced (16x9) picture at a 2.35:1 aspect ratio will fill the screen with the exception of small black bars on the top and bottom. The original edition of Empire, however, on a widescreen TV will have large black bars on the top, the bottom, and the sides unless you stretch the picture (and distort it in the process, especially considering the substandard picture quality). If you're watching on a standard square-shaped (4:3) TV, though, you won't notice a difference.

Yes, it's true that serious home-theater lovers who want spectacular sound and anamorphically enhanced picture can always watch the 2004 version of the movie also included in this set. But chances are good that they already picked up the trilogy edition of all three films, so their decision to buy the 2006 two-disc edition depends on how much they want the original fi! lm. The official LucasFilm stance is that this is an individu! al relea se of the 2004 version of The Empire Strikes Back, and the 1980 version of the film is merely a "bonus feature." Common speculation is that the only reason the original versions are seeing the official light of day at all is to undercut the booming black market for the laserdisc version. Star Wars fans will have to decide for themselves if that's worth the purchase. --David HoriuchiRe-release of the Star Wars soundtracks to take place on same day as Lucasfilm launches the original Star Wars Trilogy on DVD. With a 30 million dollar advertising campaign, this is going to be a monumental event! All 3 CD packages will include never-before seen photos as collectable fold-out movie posters. Special slipcase housing all three titles also available with exclusive 3D lenticular front card of key art. CDs will include special CD extra screen saver featuring exclusive Star Wars images. CD features all new cover art - same key art featured on DVD release.By! the end of the 1970s, John Williams was already a legend among filmmakers and film-scoring buffs. But the success of Star Wars elevated him to something he probably could have scarcely imagined--bona fide pop-culture icon. Williams's masterful score to the first Star Wars sequel (and the chapter many sci-fi fans cite as the series' most dark, emotionally complex, and satisfying) fleshes out his original character themes with some new ones while painting compelling musical portraits of alien worlds as disparate as the ice planet Hoth and the swampy Dagobah. Notable are the menacing, Prokofiev-inspired "Imperial Theme (Darth Vader's March)"; the noble "Yoda and the Force"; and Hoth's "Battle" cues, which are some of the most dramatic action cues ever. This expanded edition also fleshes out the already familiar themes with new tracks that restore the score to its status as a grand galactic symphony. A richly illustrated booklet is included as well, helping liste! ners place each piece of music in its proper cinematic context! . Of his four attempts at coloring George Lucas's rich stellar saga, this remains Williams's most consistent and compelling. --Jerry McCulley This item is in new and mint condition. It has never been hung, used or displayed.

The Great Debaters

• Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr

Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that! took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed The Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors! the story with the team’s measurable progress, but the film! is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is outstanding as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great ! actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

Crazy Love DVD Study Resource

• ISBN13: 9781434766274
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Steve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made! over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared sing! le guy. Enter Jacob (Gosling, who's never been better) as a ha! ppy bach elor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us ! crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school sweetheart, Emily (Julianne Moore). So when Cal learns that his wife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). ! Crazy, Stupid, Love is a romantic comedy with a big heart-! -a refre shing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly chemistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young wom! an who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a class of its own. Moore is more than just the weary, accusatory neglected wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. HurleySteve Carell and Ryan Gosling lead an all-star cast in Crazy, Stupid, Love. Fortysomething straight-laced Cal Weaver (Carell) is living the dreamâ€"good job, nice house, great kids and marriage to his high school swe! etheart, Emily (Julianne Moore). So when Cal learns that his w! ife has cheated on him and wants a divorce, his “perfect” life quickly unravels. Cal, who hasn't dated in decades, stands out as the epitome of un-smooth so handsome player Jacob Palmer (Gosling) takes him on as wingman and protégé, opening Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style. Despite Cal's makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading Cal back to where he began. Brimming with inspired performances, critics are calling this gem of a romantic comedy “a movie that understands love” (Owen Gleiberman, Entertainment Weekly). Crazy, Stupid, Love is a romantic comedy with a big heart--a refreshing change from its Hangover-laden compatriots, and almost a throwback to a golden era of romance. For Crazy, Stupid, Love relies on the sharp writing by Dan Fogelman (animated hits like Bolt, Tangled) and the sparkly che! mistry of its cast, led by Steve Carell, Ryan Gosling, Julianne Moore, and the emerging superstar Emma Stone. It's not that the plot is ground-breaking--maybe, in fact, the appeal of Crazy, Stupid, Love is that it's all too relatable. Cal (Carell) is long married to Emily (Moore), until one day she drops divorce on him, out of the blue. Stunned, Cal tries to reassemble his life as a woefully unprepared single guy. Enter Jacob (Gosling, who's never been better) as a happy bachelor whose tips for Cal will be ones that even the most happily wed female viewers will secretly want their mates to hear. Marisa Tomei has a hilarious turn as a temptress who's way out of Cal's league. And Stone is the fresh-faced, fearless young woman who shakes the confident Jacob's supposedly solid world view.

But it's the interplay between the characters, the true humanness of their emotions--long missing from many contemporary "romantic comedies"--that set Crazy, Stupid, Love in a! class of its own. Moore is more than just the weary, accusato! ry negle cted wife--someone who's never stopped believing in the spark of love. Gosling could easily be his generation's Cary Grant--assured, quick-witted, sly, yet vulnerable. Carell once again shows his dramatic capabilities on top of his impeccable comic timing. And Stone is a revelation, lovely, delicate, vulnerable but strong. Crazy, Stupid, Love will reaffirm the viewer's belief in all that's possible. Call us crazy. --A.T. Hurley

It's crazy, if you think about it. The God of the universe loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss. God is calling you to a passionate love relationship with Himself. Because the answer to religious complacency isn't working harder at a list of do's and don'tsâ€"it's falling in love with God.

The Crazy Love Study Resource helps you and your small group to dive deeper into God's love. A companion to the be! st-selling Crazy Love book, by pastor Francis Chan, this 10-week study follows a day-in-the-life of Francis in the form of ten, 10-minute segments that correspond to each chapter of Crazy Love.  These thought-provoking teachings are designed spark discussion, interaction, and practical application of the Crazy Love message with small groups, churches, youth groups, and individuals.

DVD includes:

• Ten teaching segments with questions for small group discussion.
• Printable Small Group Study Guide.
• Behind-the-scenes footage and outtakes

Eagle vs Shark Movie Poster (27 x 40 Inches - 69cm x 102cm) (2007) -(Loren Horsley)(Jemaine Clement)(Craig Hall)(Rachel House)(Brian Sergent)(Joel Tobeck)

• Eagle vs Shark Poster (27 x 40 Inches - 69cm x 102cm)
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Full Size Movie Poster; Same Size That You See In The Theater
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

Miramax Films presents the wickedly offbeat love story, Eagle vs Shark, a funny, fractured romance between two total misfits woven into an all-consuming quest for revenge and shot through with the strange, sweet hilarity of the human condition. When Lily (Horsley), a lonely, oddball fast-food waitress and hopeless romantic, and Jarrod (Clement), another lonely oddball and video game clerk who has spent the last decade plotting revenge against a bully from high school, connect at a dress as your favorite animal party, it s! a match seemingly made in outcast Heaven. But when Lily decides to risk everything for love, her hopes are nearly dashed as, after a brief fling, Jarrod dumps her because he s too busy training for his all-important payback mission. But neither of them can anticipate the grit the steadfastly optimistic Lily will show in her heartbreak. As Jarrod's day of reckoning arrives and everything hits the fan, Jarrod and Lily will find something that goes beyond romantic fantasies and revenge faith in who they are.Since the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo! since Javier Bardem's pageboy in No Country for Old Men, the v ideo-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird cha! rm of Waititi's first feature. --Kathleen C. FennessySince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. And! erson's Punch-Drunk Love, Jarrod has a dark side. Not o! nly is h e a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessyGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept! into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito), romances B-movie queen Karen Flores (Rene Russo) and even gets reservations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny D! eVito), and also finds time to deal with a vengeful Mobster (D! ennis Fa rina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff ShannonSoundtrack to the acclaimed film starring Jermaine Clement (one half of Flight Of The Conchords) and written and directed by Oscar-nominated New Zealander Taika Waititi. The album features an original score written by Wellington band The Phoenix Foundation, who contributed seven songs (including 'Hitchcock' and 'Seaworld' from their second album Pegasus), three score pieces, as well as two songs from Phoenix Foundation member Luke Buda's solo albums. Also included are tracks from prominent New Zealand artists Age Pryor, The Reduction Agents and Tessa Rain as well as international acts The Stone Roses and M. Ward. Hollywood Records.Eagle vs Shark Pos! ter (27 x 40 Inches - 69cm x 102cm) (2007) reproduction poster print

CAST: Loren Horsley, Jemaine Clement, Craig Hall, Rachel House, Brian Sergent, Joel Tobeck, Jackie van Beek; DIRECTED BY: Taika Cohen;