Wednesday, November 30, 2011

A Testament to Freedom: The Essential Writings of Dietrich Bonhoeffer

  • ISBN13: 9780060642143
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to speak out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinati! ng, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

*2011 ECPA Book of the Year

*2011 Canterbury Medal by the Becket Fund recognizing courage in the defense of religious liberty

*2011 Christopher Award winner highlighting the power of faith, courage, and action


Before his arrest by the Nazis in 1943, Dietrich Bonhoeffer was head of a seminary of the German Confessing Church. In The Cost of Discipleship, he focuses on the most treasured part of Christ's teaching, the Sermon on the Mount."When Christ calls a man, he bids him come and die." With these words, in The Cost of Discipleship, Dietrich Bonhoeffer gave powerful voice to the millions of Christians who believe personal sacrifice is an essential co! mponent of faith. Bonhoeffer, a German Lutheran pastor and th! eologian , was an exemplar of sacrificial faith: he opposed the Nazis from the first and was eventually imprisoned in Buchenwald and hung by the Gestapo in 1945. The Cost of Discipleship, first published in German in 1937, was Bonhoeffer's answer to the questions, "What did Jesus mean to say to us? What is his will for us to-day?" Bonhoeffer's answers are rooted in Lutheran grace and derived from Christian scripture (almost a third of the book consists of an extended meditation on the Sermon on the Mount). The book builds to a stunning conclusion: its closing chapter, "The Image of Christ," describes the believer's spiritual life as participation in Christ's incarnation, with a rare and epigrammatic confidence: "Through fellowship and communion with the incarnate Lord," Bonhoeffer writes, "we recover our true humanity, and at the same time we are delivered from that individualism which is the consequence of sin, and retrieve our solidarity with the whole human r! ace." --Michael Joseph Gross "Bonhoeffer is teaching a few Protestants what it means to say 'yes' to the 20th century and still somehow stay recognizablly Protestant. A look at a few of his seminal ideas will make this clear.Letters and Papers from Prison is a collection of notes and correspondence covering the period from Dietrich Bonhoeffer's arrest in 1943 to his execution by the Gestapo in 1945. The book is probably most famous, and most important, for its idea of "religionless Christianity"--an idea Bonhoeffer did not live long enough fully to develop, but whose timeliness only increases as the lines between secular and ecclesial life blur. Bonhoeffer's first mention of "religionless Christianity" came in a letter in 1944:
What is bothering me incessantly is the question what Christianity really is, or indeed who Christ really is, for us today. The time when people could be told everything by means of words, whether theological o! r pious, is over, and so is the time of inwardness and consci! ence--an d that means the time of religion in general. We are moving towards a completely religionless time; people as they are now simply cannot be religious any more. Even those who honestly describe themselves as "religious" do not in the least act up to it, and so they presumably mean something quite different by "religious."
The pleasures of Letters and Papers from Prison, however are not all so profound. Occasionally, Bonhoeffer's letters burst into song--sometimes with actual musical notations, other times with unforgettable phrases. Looking forward to seeing his best friend, Bonhoeffer writes, "To meet again is a God." --Michael Joseph GrossAn illuminating study of prayer using the Psalms as a guidebook.The Christian does not live in a vacuum, says the author, but in a world of government, politics, labor, and marriage. Hence, Christian ethics cannot exist in a vacuum; what the Christian needs, claims Dietrich Bonhoeffer, is concrete in! struction in a concrete situation. Although the author died before completing his work, this book is recognized as a major contribution to Christian ethics.

The root and ground of Christian ethics, the author says, is the reality of God as revealed in Jesus Christ. This reality is not manifest in the Church as distinct from the secular world; such a juxtaposition of two separate spheres, Bonhoeffer insists, is a denial of God's having reconciled the whole world to himself in Christ. On the contrary, God's commandment is to be found and known in the Church, the family, labor, and government. His commandment permits man to live as man before God, in a world God made, with responsibility for the institutions of that world.Dietrich Bonhoeffer, one of the most influential Christian martyrs in history, bequeathed to humanity a legacy of theological creativity and spirituality that continues to intrigue people from a variety of backgrounds. Dietrich Bonhoeffer Works, a sixteen! volume series, offers a fresh, critical translation of Bonhoe! ffer's w ritings, with introductions, annotations, and interpretations. The stimulus for the writing of Life Together was the closing of the preacher's seminary at Finkenwalde. The treatise contains Bonhoeffer's thoughts about the nature of Christian community based on the common life that he and his seminarians experienced at the seminary and in the "Brother's House" there. Bonhoeffer completed the writing of Life Together in 1938. Prayerbook of the Bible is a classic of Christian spirituality. In this theological interpretation of the Psalms, Bonhoeffer describes the moods of an individual's relationship with God and also the turns of love and heartbreak, of joy and sorrow, that are themselves the Christian community's path to God.

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply ! moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to speak out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinating, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive,! deeply moving narrative, Bonhoeffer is a story of moral coura! ge in th e face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to speak out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinating, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

Shepherd's Notes- Christian Classics Series is designed to give readers a quick, step by step overview of some of the enduring treasures of the Christian faith. They are designed to be used along side the classic itself- either in individual study or in a study group. The faithful of all generati! ons have found spiritual nourishment in the Scriptures and in the works of Christians of earlier generations. Martin Luther and John Calvin would not have become who they were apart from their reading Augustine. God used the writings of Martin Luther to move John Wesley from a religion of dead works to an experience at Aldersgate in which his "heart was strangely warmed." Shepherd's Notes will give pastors, laypersons, and students access to some of the treasures of Christian faith.
This collection of inspirational writings from Dietrich Bonhoeffer is drawn from his many works and presented here as a series of daily meditations to last throughout the year. Organized under monthly themes, these prayers, sermons, meditations, letters, and notes offer readers a new glimpse at how Bonhoeffer understood the meaning of faith and discipleship. Featuring selections from classic works such as "The Cost of Discipleship and Letters and Papers from Prison", this set of writings fo! llows the church year, making it ideal for year-long devotiona! l use by readers seeking to be challenged and enlightened by Bonhoeffer's call to find God at the center of their lives.Dietrich Bonhoeffer was only thirty-nine years old when he was executed in a Nazi concentration camp in 1945, yet his courage, vision, and brilliance have greatly influenced the twentieth-century Church and theology. Particularly through his bestselling classic, The Cost of Discipleship, Bonhoeffer profoundly shaped such minds and movements as Martin Luther King, Jr., and Leonardo Boff, civil rights and leberation theology.

A Testament to Freedom, completely revised and expanded for this edition, includes previously untranslated writings, excerpts from major books, sermons, and selected letters spanning the years of Bonhoeffer's pastoral and theological career. This magnificent volume takes readers on a historical and biographical journey that follows Bonhoeffer through the various stages of his life--as teacher, ecumenist, pastor, preacher, seminar! y director, prophet in the Nazi era and, finally, as martyr in pursuit of peace and justice.

American Splendor

  • Actors: Paul Giamatti, Shari Springer Berman, Harvey Pekar, Chris Ambrose, Joey Krajcar.
  • Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1). Subtitles: English, Spanish, French.
  • Region: Region 1 (U.S. and Canada only).
  • Rated: R. Run Time: 101 minutes.
The inspiration for the award-winning movie
from HBO Films and Fine Line Features

AMERICAN SPLENDOR
The Life and Times of Harvey Pekar

Two classic comic anthologies in one volume

Stories by Harvey Pekar

Introduction by R. Crumb

Art by Kevin Brown, Gregory Budgett, Sean Carroll, Sue Cavey, R. Crumb, Gary Dumm, Val Mayerik, and Gerry Shamray

The classic collection of the comics that inspired the movie American Splendor, winner of the Gr! and Jury Prize at the 2003 Sundance Film Festival

American Splendor is the world’s first literary comic book. Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Pekar has been compared to Dreiser, Dostoevsky, and Lenny Bruce. But he is truly more than all of themâ€"he is himself.

“Mr. Pekar has . . . proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.”
â€"The New York Times

“[Pekar] has a vision that makes daily city lifeâ€"a ride on the bus, a run-in with a boss, or simply buying breadâ€"dramatic.”
â€"Chicago Sun-Times

“Simply stated, American S! plendor is the most superb literary endeavor to come off t! he stree ts of Cleveland in decades.”
â€"The Plain Dealer (Cleveland)

“Mr. Pekar lets all of life flood into his panels: the humdrum and the heroic, the gritty and the grand.”
â€"The New York Times Book Review
Based on the life and work of underground comic book writer Harvey Pekar- a prickly poet of the mundane who knows that all the strategizing in the world can't save a guy from picking the wrong supermarket checkout line.One of the most acclaimed films of 2003, American Splendor is also one of the most audaciously creative biographical movies ever made. Blending fact, fiction, and personal perspective from the comic books that inspired it, this marvelous portrait of Harvey Pekar--scowling curmudgeon, brow-beaten everyman, insightful chronicler of his own life, and frustrated file clerk at a Cleveland V.A. hospital--is an inspired amalgam of the media (comic books, TV, and film) that lifted Pekar from obscurity to the status of a pop! -cultural icon. As played by Paul Giamatti in a master-stroke of casting, we see Pekar and his understanding wife (played by Hope Davis) as underdogs in a world full of obstacles, yet also infused with subtle hope and (gasp!) heartwarming perseverance. We also see the real Pekar, and this multifaceted commingling of "reel" and "real" turns American Splendor into a uniquely cinematic celebration of Pekar's life and, by extension, the tenacity of an unlikely American hero. --Jeff Shannon

Fascination

  • This is ROLLIN at his best; visual delights, sensual lesbian lovemaking, and the beautiful Brigitte Lahaie as a scythe-wielding avenger, and a group of castle dwelling bourgeois women blood-drinkers. Two women chosen by the group must slaughter and communally consume in a cannibalistic vampire way. Format: DVD MOVIE Genre: HORROR Rating: NR MA Age: 844015000286 UPC: 
Against a deceptively tranquil background of tropical breezes and secluded beaches, a sultry tale of obsession and seduction unfolds in this riveting erotic thriller. Starring Jacqueline Bisset, Adam Garcia, Alice Evans, and James Naughton, Fascination throbs with danger, deceit, passion, and suspense. Scott Doherty (Garcia) is baffled and distraught after his father mysteriously drowns. His confusion turns to fury, however, when his mother, Maureen (Bisset), returns from a cruise just a few weeks later with her ne! w lover, Oliver Vance (Stuart Wilson). Suspecting foul play, Scott confides in Oliver's beautiful daughter, Kelly (Evans); and as the two begin their own investigation, they succumb to unbridled passion. But Kelly has dark secrets of her own, and while she seems to be the love of Scott's life, she could also be the end of it.The masterpiece of renowned French filmmaker Jean Rollin, FASCINATION follows a swaggering thief who hides out in a lavish chateau, holding the occupants at gunpoint. When night falls, he realizes that these two maids are not only deadlier than he imagined, but are gatekeepers to a ring of women with a thirst for blood.

BONUS FEATURES: Original Theatrical French Trailer, Deleted Sex Scenes (16 min), Short Subject Documentary: ''Virgins & Vampires'' (24 min), Trailers for The Nude Vampire, Lips of Blood, Shiver of the Vampires & The Iron Rose.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal car! casses hanging behind them and blood splashed across the floor! . Giggli ng and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a ! fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean AxmakerLegendary horror director Jean Rollin presents "Fascination," his "homage to vampirism." This film is filled with visual delights, sensual lesbian lovemaking, a group of castle-dwelling bourgeois women blood-drinkers and the beautiful Brigitte Lahaie as a scythe-wielding avenger. Two women chosen by the group must find a man that they can slaughter and communally consume in a cannibalistic vampire feast.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling a! nd fidgeting, they drink their prescribed glass of ox blood. T! he start ling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While i! t lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean AxmakerThis is cult director Jean Rollin at his best; visual delights, sensual lesbian lovemaking, the beautiful Brigitte Lahaie as a scythe-wielding avenger and a group of castle-dwelling bourgeois blood-drinkers. Two woman chosen by the group must find a man that they must slaughter and communally consume in a cannibalistic vampire feast.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pi! tches Jean Rollin's 1979 feature Fascination into a tur! n-of-the -century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace an! d austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean Axmaker

Drive Me Crazy (Simon Romantic Comedies)

  • ISBN13: 9781416974840
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants! to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any valu! e. But as the plot unfolds, a few barbed twists undercut the g! ood chee r, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerDisc 1: BUFFY THE VAMPIRE SLAYER (MOVIE) Disc 2: DRIVE ME CRAZYThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost gir! lfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about! a popular girl who turns her grungy next-door neighbor into a! dream d ate? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. The! se themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. ! Teen flicks always make things too glossy and upscale, but ! Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexis’s cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So what does this mean for Lucas! , the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriend’s best friend, Natalie finds herself in quite the dilemma.

Bloodline

  • Nate and Marcus are half brothers born and raised in the ghetto of South Florida by their unstable, single mother. During a playground fight, Marcus defends his brother by stabbing a bully who is threatening his brother s life. When Marcus father finds out about his son s behavior, he removes Marcus from his mother s home. Years later, the brothers are reunited on the streets of Miami, but on diff
A killer is on the loose. The victims: children whose mothers can't protect them.

The past is coming back to haunt the people of London: a murderer is targeting the children of victims of Raymond Garvey, an infamous serial killer from London's past.

When Murder Squad veteran Detective Tom Thorne, who solves the London Police Department's most difficult cases, is called into what seems like, for once, an ordinary domestic murder, he thinks he's caught a break. A woman has been! murdered by someone she knows. A positive pregnancy test found on the floor beside her. Thorne plans to question the husband, arrest him and return home to deal with his own deteriorating personal life.

But when a mysterious sliver of bloodstained X-ray that was found clutched in the victim's fist is replicated at other crime scenes around the city, Thorne realizes that this is not a simple case. As the bits of X-ray begin to come together to form a picture, it becomes clear that the killer knows his prey all too well and is moving through a list that was started long ago.

As Thorne attempts to protect those still alive, nothing and nobody are what they seem. Not when Thorne is dealing with one of the most twisted killers he has ever hunted.Nate and Marcus are half brothers born and raised in the ghetto of South Florida by their unstable, single mother. During a playground fight, Marcus defends his brother by stabbing a bully who is threatening his brotherâ€! ™s life. When Marcus’ father finds out about his son’s beh! avior, h e removes Marcus from his mother’s home. Years later, the brothers are reunited on the streets of Miami, but on different sides of the law! Marcus has become a police officer, while Nate has become a local drug dealer. The promise to stay brothers forever puts Nate and Marcus’ relationship to the test.

Estwing E24A Sportsman's Hatchet Metal Handle

Friday the 13th (Extended Killer Cut)

  • A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky
Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi