Friday, November 25, 2011

Gigantic

A Bug's Life (Two-Disc Collector's Edition)

  • Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co
In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerBook Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with t! he enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Book Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-ol! d topics (one person--err, insect--can make a difference, indi! vidualit y and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contou! red as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerMankind has expanded unimpeded across the Galaxy. Expansionist and Imperialistic before space travel, one nation against the next, later the corporations, but man was many more times so after. After space travel. First men fought over the moon and mars, and then quickly onward as fast as the fuel of greed could compel them. The Corporations owned space.
Corporate expansion into the Galaxy didn't last long. It only lasted long enough for them to have the first alien contact, and a devastating financial loss, and mankind suddenly found itself under attack by the first alien race it had made contact with.
Since that time man has marched across the Galaxy and over every sentient race he encountered, exte! rminating them down to specimens and even less in most cases. ! Man has grown strong and numerous and now sits quiescently in control of all he purveys. Until the day an unknown intruder exits Jump without warning and breaks through the Protected Zone.
Mankind has always been the most industrious, the most technological, the fiercest, the most numerous, whatever it took to prevail, but this new enemy outnumbers man millions to one and mankind finds itself in the unusual position of having either to prevail, or face complete annihilation.
The Hswgi have been marching across the Universe for millions of years. The Hswgi are vegetarian, but their larvae required meat. No longer planet dwellers, truly the nomads they had been designed to be, they continued to raid as they always had. Mankind seemed an an easy meal.
P.S. This book has received a new full edit as of 10/27/2011.
The next installment of this series will be coming in December 2011.
Thank you and enjoy!Mankind has expanded unimpeded across the Galaxy. Expansi! onist and Imperialistic before space travel, one nation against the next, later the corporations, but man was many more times so after. After space travel. First men fought over the moon and mars, and then quickly onward as fast as the fuel of greed could compel them. The Corporations owned space.
Corporate expansion into the Galaxy didn't last long. It only lasted long enough for them to have the first alien contact, and a devastating financial loss, and mankind suddenly found itself under attack by the first alien race it had made contact with.
Since that time man has marched across the Galaxy and over every sentient race he encountered, exterminating them down to specimens and even less in most cases. Man has grown strong and numerous and now sits quiescently in control of all he purveys. Until the day an unknown intruder exits Jump without warning and breaks through the Protected Zone.
Mankind has always been the most industrious, the most technological, t! he fiercest, the most numerous, whatever it took to prevail, b! ut this new enemy outnumbers man millions to one and mankind finds itself in the unusual position of having either to prevail, or face complete annihilation.
The Hswgi have been marching across the Universe for millions of years. The Hswgi are vegetarian, but their larvae required meat. No longer planet dwellers, truly the nomads they had been designed to be, they continued to raid as they always had. Mankind seemed an an easy meal.
P.S. This book has received a new full edit as of 10/27/2011.
The next installment of this series will be coming in December 2011.
Thank you and enjoy!Earth, that shining beacon of human magnificence, of human achievement, the very birthplace of mankind itself, now falls in line for Antz invasion.

I want to thank my readers. I know I'm not the best writer in the world but I strive to tell a good story. I do write a few run on sentences, I'll admit, but it's to pack as much information into each line as possible. To keep the st! ory moving along. The story is why the reader is here. My greatest achievement is when people tell me they couldn't put my book down. They couldn't stop turning the pages because they wanted to know what was going to happen next. All the way through the book. That's my greatest achievement.

You may expect to see the next installment of this series in December (this December). All further installments will be full length, as Winter is here and I will have the time to write full time.
Thank you and enjoy.Earth, that shining beacon of human magnificence, of human achievement, the very birthplace of mankind itself, now falls in line for Antz invasion.

I want to thank my readers. I know I'm not the best writer in the world but I strive to tell a good story. I do write a few run on sentences, I'll admit, but it's to pack as much information into each line as possible. To keep the story moving along. The story is why the reader is here. My greatest achiev! ement is when people tell me they couldn't put my book down. T! hey coul dn't stop turning the pages because they wanted to know what was going to happen next. All the way through the book. That's my greatest achievement.

You may expect to see the next installment of this series in December (this December). All further installments will be full length, as Winter is here and I will have the time to write full time.
Thank you and enjoy.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious! princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerA funny children's (& adult) cartoon movie.Woody Allen as a ! worker a nt with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to! the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerJourney inside the world of bugs in this epic of miniature proportions. Crawling with imaginative characters, hilarious laughs, and colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork t! hat resulted in this ingenious film. Loaded with bonus feature! s â€" in cluding animation not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR'S EDITION offers something for everyone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). Th! e ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. ! These dozen or so scenes (both "editions" of outtakes are con! tained h ere) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Best Man, Worst Man

  • 100% cotton
  • Wash warm; dry low
  • Imported
  • Listed in men's sizes
Enjoi Best Sellers tee. Shopping cart Enjoi panda printed at front. Short sleeve. Crew neck. 100% cotton. Machine wash. Imported.The official CM Punk "Best In The World" design T-shirt is here!

He’s the one problem she can’t solve.

From hysterical bridezillas to grooms with sub-zero feet, renowned wedding planner Claire Pomeroy has never met a disaster she couldn’t handle. Then she runs afoul of her client’s not-so-best man, a devilishly flirtatious rogue with a killer smile and a chest as solid as a concrete roadblock. Yet their sparks of attraction only highlight his obvious questâ€"to make sure this wedding knot never gets tied.

Confirmed bachelor Ryder Price knows one unshakable truth: marriage is nothing but a fairy tale. No way is he going to stand idly by while ! his wingman face-plants into the dreaded marital trap. But there’s a problem. A dark-eyed, dangerously curvaceous problem who’s bound and determined to pull this wedding off.

As her suddenly skittish clients teeter on the edge of cancellation, Claire challenges her nemesis to imagine long-term as something more than a quickie and a vague promise to call. Ryder counters with a challenge of his own. Let him give her a taste of just how fulfilling a little no-strings-attached passion can be.

Warning: This product contains cold feet, heavy petting, heavier breathing, and chocolate-covered fingers. To avoid a sweet-tooth side-effect, the author recommends having a chocolate-covered man nearby.

He’s the one problem she can’t solve.

From hysterical bridezillas to grooms with sub-zero feet, renowned wedding planner Claire Pomeroy has never met a disaster she couldn’t handle. Then she runs afoul of her client’s not-so-best! man, a devilishly flirtatious rogue with a killer smile and a! chest a s solid as a concrete roadblock. Yet their sparks of attraction only highlight his obvious questâ€"to make sure this wedding knot never gets tied.

Confirmed bachelor Ryder Price knows one unshakable truth: marriage is nothing but a fairy tale. No way is he going to stand idly by while his wingman face-plants into the dreaded marital trap. But there’s a problem. A dark-eyed, dangerously curvaceous problem who’s bound and determined to pull this wedding off.

As her suddenly skittish clients teeter on the edge of cancellation, Claire challenges her nemesis to imagine long-term as something more than a quickie and a vague promise to call. Ryder counters with a challenge of his own. Let him give her a taste of just how fulfilling a little no-strings-attached passion can be.

Warning: This product contains cold feet, heavy petting, heavier breathing, and chocolate-covered fingers. To avoid a sweet-tooth side-effect, the author recommends having a cho! colate-covered man nearby.


Pomegranate Frank Lloyd Wright/City By The Sea Standard Boxed Note Card Set (Pack of 2)

  • 20 note cards and envelopes per box
Drama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During the course of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable! father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonDrama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During t! he course of the investigation, he realizes that his failures ! as a fat her - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the de! pth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonDrama. When a respected New York homicide detective (Robert De Niro) discovers the prime suspect in a murder case is his estranged son (James Franco), he is forced to return home to the decaying boardwalks of Long Beach, Long Island to confront the darkness of his past. During the course of the investigation, he realizes that his failures as a father - and his unresolved anguish about the painful estrangement - have deeply influenced his son's life, and he must put his own life on the line in order to do right by both his family and his profession. A welcome throwback to the cop dramas of the '70s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamentin! g the once glorious Asbury Park boardwalk, now dilapidated fro! m the de cay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonIt's said that the sins of the father are visited upon the son, a theme that permeates this based-on-a-true-story cop film with a generational twist. Given the film's troubling emotional core and urban landscape, composer John Mu! rphy scores it with remarkably eclectic panache. Starting with a somber, string-driven theme that subtly evokes the story's undercurrents of Greek tragedy, Murphy quickly draws upon everything from ska rhythms, Chopin piano pieces, house music, and even East Asian flourishes to bring its various emotional and cultural conflicts into focus. It's a score whose range and dynamic sense alone are impressive, but also one that never forgets where its heart lies. Murphy occasionally lapses into predictable action cues, but it's his evocative side excursions into the pop vernacular that balance the autumnal orchestral themes and impart the entire score with compelling new dimensions. It's a great example of how music can be more than merely the sum of its parts. --Jerry McCulley In this richly illustrated celebration of the nation's oldest seaside resort, Emil R. Salvini leads the reader through Cape May's two hundred tumultuous years, which have forever earned it the monike! r "Queen of the Seaside Resorts."

During its beginning! as a co astal getaway not for New Jerseyans but for Philadelphians, middle-class families would endure the two-day journey to the site then known as Cape Island. With the advent of the steamboat and the railroad, the Cape became the premier destination for vacationers from surrounding areas.

In the 1880s, however, traffic slowed and the city entered a period of decline. Subsequent attempts at modernization failed, which actually saved the quaint wooden village that is visited by so many today.

Eventually, residents realized that the future of the Cape lay in the past. Preservation advocates succeeded in reviving interest in the resort, resulting in Cape May being designated a National Historic Landmark in 1976.

Readers of The Summer City by the Sea will be tempted to take the last exit off the Garden State Parkway. While fashionable resorts come and go, Cape May endures, a tribute to its tenacity and tradition.A welcome throwback to the cop dramas of the '7! 0s, City by the Sea is an average film improved by its cast. Robert De Niro stars as veteran New Jersey detective Vincent LaMarca, lamenting the once glorious Asbury Park boardwalk, now dilapidated from the decay of changing times. A good cop but a regrettable father, LaMarca must confront past mistakes and repressed memories when his estranged son (James Franco) becomes the prime suspect in the killing of LaMarca's partner (George Dzundza). There's a nagging inevitability to Ken Hixon's otherwise intelligent screenplay, but De Niro and Frances McDormand--as LaMarca's compassionate neighbor and part-time girlfriend--turn this simmering drama into something deeper than it is. McDormand's role would be thin without the depth and humanity she brings to it, and both De Niro and Franco mine gold from their troubling father-son legacy. Based on a true story, City by the Sea has that kernel of authenticity that good actors thrive on. --Jeff ShannonUsing basic ! draftsman's tools--square, triangles, compass--Frank Lloyd Wri! ght crea ted dazzling, highly abstract works of art applied to windows, lamps, rugs, mosaics, and furniture. Like his mentor, Louis Sullivan, Wright believed in ornamentation that was integral to a building's design (as opposed to applied decoration). His work was often so far ahead of its time that it failed to win the respect it deserved from the contemporary mainstream. In hindsight, Wright's remarkable architectural and interior details form a logical, natural step on the path to purely abstract graphic designs, such as those adapted for these notecards. Wright's integral ornamentation combines a draftsman's technical mastery with the fluid imagination of a musician to form dazzling variations on elegantly simple themes. This notecard set celebrates Frank Lloyd Wright's 1956 mural design, City by the Sea, for the Music Pavilion at Taliesin West, Scottsdale, Arizona.

Knight of Pleasure (All the King's Men)

  • ISBN13: 9780446553384
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When All the King's Men was first published in 1946, Sinclair Lewis pronounced it "massive, impressive...one of our few national galleries of character." Diana Trilling, reviewing it for the Nation, wrote, "For sheer virtuosity, for the sustained drive of its prose, for the speed and the evenness of its pacing, for its precision of language...I doubt indeed whether it can be matched in American fiction." The Washington Post declared, "If the game of naming the Great American Novel is still being played anywhere, Warren's All the King's Men would easily make the final rounds."
 
Set in the 1930s, this Pulitzer Prize-winning novel traces the rise and ! fall of demagogue Willie Stark, a fictional character who resembles the real-life Huey "Kingfish" Long of Louisiana. Stark begins his political career as an idealistic man of the people but soon becomes corrupted by success and caught between dreams of service and an insatiable lust for power. As relevant today as it was more than fifty years ago, All the King's Men is one of the classics of American literature.
This landmark book is a loosely fictionalized account of Governor Huey Long of Louisiana, one of the nation's most astounding politicians. All the King's Men tells the story of Willie Stark, a southern-fried politician who builds support by appealing to the common man and playing dirty politics with the best of the back-room deal-makers. Though Stark quickly sheds his idealism, his right-hand man, Jack Burden -- who narrates the story -- retains it and proves to be a thorn in the new governor's side. Stark becomes a successful leader, ! but at a very high price, one that eventually costs him his l! ife. The award-winning book is a play of politics, society and personal affairs, all wrapped in the cloak of history.It is 1953, on the eve of the Coronation of Queen Elizabeth II, and American journalist Helena Claybourn and Chief Inspector John Kincaid have uncovered a long-hidden secret involving men close to the Crown-a secret that unleashes two relentless assassins on a killing spree across England, France and Germany.New! Fast shipping!ALL THE KING'S MEN - DVD MovieWriter-director Robert Rossen and character actors Broderick Crawford and Mercedes McCambridge (in her film debut) took home Oscars (for Best Picture, Best Actor, and Best Supporting Actress, respectively) for this excellent adaptation of Robert Penn Warren's Pulitzer Prize-winning novel. Crawford stars as Willie Stark, a charismatic populist Southern politician (inspired by the real Louisiana Governor Huey Long) who belies his "man of the people" roots as he ruthlessly maneuvers, lies, and deals his way into the h! alls of power. John Ireland is his right-hand man, Jack Burden, a newsman turned political flack who hangs on to Stark's early idealism even in the face of Stark's most reprehensible acts of corruption. McCambridge is Stark's cool mistress come calculating assistant. The immediacy of the drama is due in part to a documentary-like style, notably in the scenes on the campaign trail where Stark sways crowds with his folksy rhetoric and estimable charm. Joanne Dru and John Derek also costar. Rossen's savage screenplay and firm direction give the film a powerful punch, but it's Crawford's blustery charm and oversized performance that carry the picture. --Sean Axmaker Ryan Ortiz and Nathan Richardson are estranged lovers who shouldn't be apart. When Ryan decides to go direct to LA to fight for a second chance he is caught up in the biggest earthquake to hit the city since records began. LA is destroyed, burning, people homeless, people dying, and fires are ignited high ! in the LA hills above Nathan's apartment. Nathan is trapped an! d Ryan i s his only hope. It is a race against time and the powerful all consuming destruction of nature for Ryan to find Nathan, trapped in the ruins of his home in the hills, and to get both of them to help before the fire consumes everything. THE GREATEST PASSION
Lady Isobel Hume is an expert swordswoman who knows how to choose her battles. When the king asks her to wed a French nobleman to form a political alliance, she agrees. But that's before the devilishly charming Sir Stephen Carleton captures her heart-and tempts her to betray her betrothed, her king, and her country.

IS WORTH THE GREATEST PERIL
Sir Stephen Carleton enjoys his many female admirers-until he dedicates himself to winning the lovely Isobel. So when a threat against the king leads Isobel into mortal danger, Stephen has a chance to prove that he is more than a knight of pleasure...and that love can conquer all.


Georgia Bulldogs 100% Cotton Short Sleeve T-Shirt (Red, X-Large)

Imaginext DC Super Friends Catwoman Figure with Motorcycle

Halloween [Blu-ray]

  • The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis, in her debut role, plays a babysitter who must protect herself from the deadly Michael Myers, a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent mo
The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis in her debut role plays a babysitter who must protect herself from the deadly Michael Myers a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent motion picture of all time" HALLOWEEN is also one of most frightening films ever made.System Requirements:Run! ning Time: 92 mins.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 013131542899 Manufacturer No: DV15428Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loo! mis, after John Gavin's character in Psycho. In the end! , though , Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly moun! ted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more install! ments: 1981's dismal Halloween II, which picked up the ! story th e day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert HortonNo Description Available.
Genre: Horror
Rating: NR
Release Date: 2-OCT-2007
Media Type: Blu-RayHalloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pic! tures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small! town of Haddonfield, Illinois, a teenage baby sitter tries to! survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at th! e screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton