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• Long before World Music became a record store staple, Americans were singing along to the sweet sounds of Celia Cruz and dancing to the rhythmic beats of Tito Puente.Harry Belafonte hosts this globe-trotting, star-studded celebration tracing the history of the popular sounds we call Latin music, from tribal celebrations in African jungles to Cuba's wild carnivals and New York City's hottes

A behind the scenes glimpse into the lives of Grammy Award winner Tito Puente and some of the greatest Latin musicians of our times! Experience the passion of Latin Jazz. It is a musical journey that captures the heart and soul of an entire culture. It is an innovative tapestry of sound and imagery, styles and rhythms-from samba to pambiche to flamenco. In Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba,! flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title takes its name from Sony Music Studios located on 54th Street in Manhattan, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri, to the fiery rumba group Puntilla y Nueva Generacion. The music and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr."The Buena Vista Social Club" guitarist Ry Cooder s celebrated album featuring the rec! ently re-discovered talents of Cuba s foremost folk musicians ! sold mil lions of copies and earned a Grammy Award. Now Cooder teams up with acclaimed director Wim Wenders (Paris Texas) to reveal the astonishing life stories vibrant personalities and unforgettable music of the brilliantly talented but long-overlooked performers who collaborated on this now-legendary recording. Form the crumbling barrios of their native Havana to their triumphant sold-out concerts in Amsterdam and New York s Carnegie Hall it s an unforgettable deeply emotional journey into the passion pride and humanity of the artists whose music sparked a worldwide musical phenomenon!System Requirements:Starring: Ry Cooder Ibrahim Ferrer Rueben Gonzalez Eliades Ochoa Omara Portuondo and Compay Segundo. Directed By: Wim Wenders. Running Time: 105 mins color. This film is presented in "Standard" format. Copyright: 1999 Artisan Live Entertainment.Format: DVD MOVIE Genre: DRAMA Rating:  UPC: 012236101765 Manufacturer No: 10176In 1996, composer, producer, and guitar legend R! y Cooder entered Egrem Studios in Havana with the forgotten greats of Cuban music, many of them in their 60s and 70s, some of them long since retired. The resulting album, Buena Vista Social Club, became a Grammy-winning international bestseller. When Cooder returned to Havana in 1998 to record a solo album by 72-year-old vocalist Ibrahim Ferrer, filmmaker Wim Wenders was on hand to document the occasion. Wenders splits the film between portraits of the performers, who tell their stories directly to the camera as they wander the streets and neighborhoods of Havana, and a celebration of the music heard in performance scenes in the studio, in their first concert in Amsterdam, and in their second and final concert at Carnegie Hall. The songs are too often cut short in this fashion, but Buena Vista Social Club is not a concert film. Wenders weaves the artist biographies with a glimpse of modern Cuba remembering its past, capturing a lost culture in music that is s! uddenly, unexpectedly revived for audiences in Havana and arou! nd the w orld. Wenders makes his presence practically invisible, as if his directorial flourishes or off-screen narration might deflect attention from the artists, who do a fine job of telling their own stories through interviews and music. It's a loving portrait of a master class in Cuban music, with a vital cast of aging performers whose energy and passion belie their years. --Sean AxmakerIn Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title takes its name from Sony Music Studios located on 54th Street in Manhattan, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri, to the fiery rumba group Puntilla y Nueva Generacion. The music and ! musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr.In Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title takes its name from Sony Music Studios located on 54th Street in Manhattan, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri! , to the fiery rumba group Puntilla y Nueva Generacion. The mu! sic and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr.In Calle 54, Madrid-based filmmaker Fernando Trueba explores the wide and wonderful world of Latin jazz: a hybrid genre that fuses the clave, samba, flamenco, merengue, and other rhythms from Africa, the Iberian peninsula, and the Americas. The film's Spanish title takes its name from Sony Music Studios located on 54th Street in Manhattan, where a who's who of musicians were filmed and recorded. They range from Brazilian bombshell keyboardist Eliane Elias and enigmatic Argentine tenor saxophonist Gato Barbieri,! to the fiery rumba group Puntilla y Nueva Generacion. The music and musicians of Cuba and Puerto Rico dominate this documentary, and the most touching scene is the emotional father-and-son reunion of Cuban pianists Bebo and Chucho Valdés, who were separated by Fidel Castro's revolution. Sadly, the film features the last onscreen appearances by the late composer-arranger Chico O'Farrill and the legendary timbales master Tito Puente. Simply put, Calle 54 is a documentary that dances. --Eugene Holley Jr.Long before World Music became a record store staple, Americans were singing along to the sweet sounds of Celia Cruz and dancing to the rhythmic beats of Tito Puente.

Harry Belafonte hosts this globe-trotting, star-studded celebration tracing the history of the popular sounds we call Latin music, from tribal celebrations in African jungles to Cuba's wild carnivals and New York City's hottest nightspots.

This critically acclaimed production highl! ights an incredible array of dancing and musical performances ! from wor ld-renowned stars including Gloria Estefan, Tito Puente, Dizzy Gillespie, Desi Arnaz, Celia Cruz, Ruben Blades, Isaac Oviedo, King Sunny Ade and many more.Don't miss this celebration of the explosive sound that has the whole world dancing.

DVD Features: Interactive Menus; Scene SelectionLatin music has always been a fixture in American popular culture, but its history reflects centuries of change and complexity from diverse sources. Roots of Rhythm, an incredible three-hour film originally shown on PBS in 1997, traces the development of this exciting musical genre, going back 500 years across three continents. Hosted by the famed Caribbean American entertainer Harry Belafonte, the film begins in West Africa, in the villages that ring with the ancestral anthems of sacred Yoruba beats and bata drums. The focus shifts to Spain, where modern-day troubadours sing their haunting, Moorish-tinged ballads and Gypsies dance their heated flamenco dances. Those musical influ! ences are brought together by the transatlantic slave trade in the island of Cuba, where enslaved Africans and Spanish immigrants mixed and melded each others' music into a myriad of new, hybrid creations like the rumba, tumba francesa, danzon, and mambo. Belafonte quotes a poet who said, "Cuban music is a love affair between the African drum and the Spanish guitar."

In America, this love affair bloomed in New York, where Cuban and African American jazz musicians like Machito, Mario Bauza, and Dizzy Gillespie melded mambo rhythms to bebop, creating Latin jazz. Belafonte then brings us to the dazzling timbales master Tito Puente and vocalist Celia Cruz, who reigned as the king and queen of salsa, the stateside version of Cuban dance music that emerged in the '60s. The film offers revealing interviews and music clips with many Latin music stars, including Gloria Estefan of Miami Sound Machine and Panamanian Rubén Blades. The rare archival footage features Dizzy Gillespie! 's 1948 number "Manteca," bandleader Xavier Cugat's "Gypsy Mam! bo," and a cartoon clip of Donald Duck doing "Tico Tico." After watching this engaging and encyclopedic film, you'll never dance to Latin music the same way again. --Eugene Holley Jr.

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